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"A Forest" and its parent album Seventeen Seconds are representative of The Cure's gothic rock phase in the late 1970s and 1980s. [1] [4] The song has also been described as a post-punk track. [5] [6] Cure biographer Jeff Apter refers to "A Forest" as "the definitive early Cure mood piece" and argues the song is the centrepiece of the album ...
"Primary" was the first song by The Cure to be remixed as a separate extended mix for release on 12" single (and not co-released on other formats, in the way the 12" version of "A Forest" was also the album version appearing on Seventeen Seconds, for example). In fact, the original 12" extended mix is, to this day, still only available on the ...
Robert James Smith [3] was born in Blackpool on 21 April 1959, the third of four children of Rita Mary (née Emmott) and James Alexander Smith. [4] [5] He came from a musical family, as his father sang and his mother played the piano. [6]
If I told you 40 years ago, when the Cure was in the midst of its new-wave wonder moment, that the band would craft an inventively elegiac epic like “Songs for a Lost World” — a singular ...
AllMusic writer Chris True said that while Seventeen Seconds had come to be largely overlooked in later years apart from its single "A Forest", it nonetheless represented an important development for the Cure, capturing them becoming "more rigid in sound, and more disciplined in attitude", and anticipating the bleak lyrical themes that would ...
The Cure are an English rock band formed in Crawley in 1976 by Robert Smith (vocals, guitar, songwriting) and Lol Tolhurst (drums). The band's current lineup features Smith, Perry Bamonte (guitar), Reeves Gabrels (guitar), Simon Gallup (bass), Roger O'Donnell (keyboards), and Jason Cooper (drums).
The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
Despite the limitations that come with being a two-man bass band, McBride and Meyer explore all manners of music while defying genre divides. The duo has the bona fides to make lemonade out of lemons.