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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms.
A literary genre is a category of literary composition. Genres may be determined by literary technique, tone, content, or even (as in the case of fiction) length. Genre should not be confused with age category, by which literature may be classified as either adult, young adult, or children's.
Established conventions are "a challenge, or a horizon, against which the writer and his reader have to define themselves." The writer may respond to this challenge by "stretch[ing] the generic rules." [47] Fishelov draws his metaphor of genre as social institution from a passage in René Welleck and Austin Warren's Theory of Literature:
The time covered in individual years covers Renaissance, Baroque and Modern literature, while Medieval literature is resolved by century. Note: List of years in poetry exists specifically for poetry. See Table of years in literature for an overview of all "year in literature" pages. Several attempts have been made to create a list of world ...
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The idea that it was possible to ignore genre constraints and the idea that each literary work was a "genre unto itself" [6] gained popularity. Genre definitions were thought to be "primitive and childish." [6] At the same time, the Romantic period saw the emergence of a new genre, the 'imaginative' genre. [7]