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Bliss, originally titled Bucolic Green Hills, is the default wallpaper of Microsoft's Windows XP operating system. It is a photograph of a green rolling hills and daytime sky with cirrus clouds . Charles O'Rear , a former National Geographic photographer, took the photo in January 1998 near the Napa – Sonoma county line, California, after a ...
High-quality wallpaper made in China became available from the later part of the 17th century; this was entirely handpainted and very expensive. It can still be seen in rooms in palaces and grand houses including Nymphenburg Palace, Ĺazienki Palace, Chatsworth House, Temple Newsam, Broughton Castle, Lissan House, and Erddig. It was made up to ...
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
Arts and Crafts design for Trellis wallpaper (1862) by William Morris Pastoral Recreation (1868) by William-Adolphe Bouguereau. While cottagecore arose as a named aesthetic in 2018, similar aesthetics and ideals existed prior to its inception. The ancient Greeks characterised Arcadia as a representation of an idyllic pastoral setting.
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1]
Les Sauvages de la Mer Pacifique (Les Sauvages) is a scenic panoramic wallpaper designed by Jean-Gabriel Charvet and produced by Joseph Dufour et Cie between 1804 and 1805 in Mâcon, France. [1]
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A new art form struggling for acceptance is digital art, a by-product of computer programming that raises new questions about what truly constitutes art.Although paralleling many of the aesthetics in traditional media, digital art can additionally draw upon the aesthetic qualities of cross-media tactile relationships; interactivity; autonomous generativity; complexity and interdependence of ...