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This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
The accordion is one of the dominant instruments on the album, and the "classical instrument" referred to in the title. [10] The instrument had not featured in the majority of popular Ethiopian music for decades, given that it had been usurped by amplified instruments since the accordion's 1950s heyday. [4]
In a positive review, the Memphis Flyer called TDA "the true champions" of the alternative music scene's revival of the accordion, ahead of Brave Combo and They Might Be Giants. The review concluded "This is one recording filled with good-natured humor where the novelty doesn't wear off, because there's a wealth of musical integrity behind it.
George Antheil—of Ballet mécanique fame: Accordion Dance for accordion and orchestra (1951) John Serry, Sr.: American Rhapsody (1955), to name a few. [32] [33] In 1937 the first accordion concerto was written and played in Russia. Other notable classical accordion performers include Pauline Oliveros, and Rob Reich of the Tin Hat Trio.
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
Moreover, the accordion is the principal instrument in Junina music (music of the São João Festival), with Mario Zan having been a very important exponent of this music. It is an important instrument in Sertanejo (and Caipira) music, which originated in the midwest and southeast of Brazil, and subsequently has gained popularity throughout the ...
The concept behind Those Darn Accordions was initially conceived by keyboardist and accordionist Linda "Big Lou" Seekins in early 1989. [2] Seekins, who was active in several Bay Area bands including the polka punk band Polkacide, was called up by the owner of San Francisco's Paradise Lounge and offered an open performance slot if she could put together a band in time. [3]
Nick Ariondo was born in Pittsburgh, Pennsylvania and started private accordion lessons at age 7 under the tutelage of TV personality Mario DiNardo. Whilst still new students, Nick and his older brother, Anthony, began playing for church functions, fashion shows and family events in the late 1950s before traveling to the west coast.