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Central Line is the imaginary line in the middle of each line or line element which is a constitutive part of a graphic character set. If we consider d as the width of the line element and h as the height of the line element, then the two standard ratios for d/h are: 1/14 and 1/10, which are feasible because they result in a minimum number of ...
Spencerian script is a handwriting script style based on Copperplate script that was used in the United States from approximately 1850 to 1925, [1] [2] and was considered the American de facto standard writing style for business correspondence prior to the widespread adoption of the typewriter.
Detail from Zaner's 1896 article: The Line of Direction in Writing [3] A major factor contributing to the development of the Zaner-Bloser teaching script was Zaner's study of the body movements required to create the form of cursive letters when using the 'muscular arm method' of handwriting – such as the Palmer Method – which was prevalent in the United States from the late 19th century.
Shipping symbols [2] from ISO standard 780 "Pictorial marking for handling of goods" [3] or ASTM D5445 "Standard Practice for Pictorial Markings for Handling of Goods" [4] which depict shipping boxes as squares with rounded corners: "Fragile": the silhouette of a broken wine glass "This end up": a horizontal line with two arrows pointing up
Small caps, petite caps and italic used for emphasis True small caps (top), compared with scaled small caps (bottom), generated by OpenOffice.org Writer. In typography, small caps (short for small capitals) are characters typeset with glyphs that resemble uppercase letters but reduced in height and weight close to the surrounding lowercase letters or text figures. [1]
An alphanumeric outline includes a prefix at the beginning of each topic as a reference aid. The prefix is in the form of Roman numerals for the top level, upper-case letters (in the alphabet of the language being used) for the next level, Arabic numerals for the next level, and then lowercase letters for the next level.
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The compositor assembled these sorts into words, then lines, then pages of text, which were then bound tightly together by a frame, making up a form or page. If done correctly, all letters were of the same height, and a flat surface of type was created. The form was placed in a press and inked, and then printed (an impression made) on paper. [3]
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