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According to the Turkmenistan state news agency, "A white yurt is a symbol of an age-old, distinctive historical-cultural legacy, a sign of preservation of our roots and origins." This three-story structure includes a café, offices, and VIP apartments ,as well as a large auditorium with 3,000 seats.
One of main symbols of Tengrism. A symbol used by many Tengrists, representing the runic spelling of god Tengri and "shangrak" (an equilateral cross in a circle), depicting the roof opening of a yurt, and a shaman's drum. Many world-pictures and symbols are attributed to folk religions of Central Asia and Russian Siberia.
Some yurts in the steppe, 1921 Inside a yurt Yurts in the steppe Temple at the Dashichoiling monastery. The yurt, traditional dwelling of Mongolian nomads, is a circular structure supported by a collapsible wooden frame and covered with wool felt. In Mongolian, a yurt is known as a ger (гэр).
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist , groups of artists or art movement . Ancient Classical art
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The ARAS archive is designed for and used by students and scholars for research, by artists and designers as a sourcebook of motifs and iconographic forms, by individuals interested in commonalities in mythology, dream imagery, and vision which transcend nation and ideology, and by practitioners of depth psychology or other psychological perspectives wanting to enhance their knowledge of ...
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...