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The Well Wrought Urn: Studies in the Structure of Poetry is a 1947 collection of essays by Cleanth Brooks. It is considered a seminal text [1] in the New Critical school of literary criticism. The title contains an allusion to the fourth stanza of John Donne's poem, "The Canonization", which is the primary subject of the first chapter of the book.
John Donne's poetry represented a shift from classical forms to more personal poetry. Donne is noted for his poetic metre , which was structured with changing and jagged rhythms that closely resemble casual speech (it was for this that the more classical-minded Ben Jonson commented that "Donne, for not keeping of accent, deserved hanging").
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The poem features images typical of the Petrarchan sonnet, yet they are more than the "threadbare Petrarchan conventionalities". [1] In critic Clay Hunt's view, the entire poem gives "a new twist to one of the most worn conventions of Elizabethan love poetry" by expanding "the lover–saint conceit to full and precise definition", a comparison that is "seriously meant". [2]
The Song: Go and Catch a Falling Star, also known simply as Song, is a poem by John Donne, one of the leading English metaphysical poets.Probably first passed round in manuscript during the final decade of the 16th century, it was not published until the first edition of Donne's collected poems in 1633 - two years after the poet's death. [2]
The reviewer noted Gardner's attempt to find "viable" religious poetry from the 20th century, but found that religious poems by Edwin Muir and W.H. Auden could not compare "with Herbert, Donne or Milton", and thought the volume "end[ed] with a whimper". [13] Other criticism of her work includes her focus on judgments in analyzing literary works ...
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"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.