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Lee was arrested on November 7, 1874. [51] Dame, Philip Klingensmith, Ellott Willden, and George Adair Jr. were indicted and arrested while warrants to pursue the arrests of four others who had gone into hiding (Haight, Higbee, William C. Stewart, and Samuel Jukes) were being obtained. Klingensmith escaped prosecution by agreeing to testify. [52]
Nellie Griswold Francis was born in Nashville, Tennessee, on November 7, 1874. [7] Her parents were Maggie Seay and Thomas Garrison Griswold, and she had a sister, Lula Griswold Chapman, who died in 1925. [7] [8] [9] Her grandmother was Nellie Seay (1814–1931), a house slave to Colonel Robert Allen, a Tennessee congressman. [10]
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
November 7 – Harper's Weekly publishes a political cartoon by Thomas Nast considered the first important use of an elephant as a symbol for the Republican Party. [1] November 9 – The Sigma Kappa sorority is founded at Colby College in Waterville, Maine, by Mary Caffrey Low, Elizabeth Gorham Hoag, Ida Fuller, Frances Mann, and Louise Helen ...
The 1874 State of the Union address was delivered by the 18th President of the United States, Ulysses S. Grant, to the 43rd United States Congress on December 7, 1874. In his message, Grant addressed economic challenges, foreign relations, and domestic governance in the wake of the Panic of 1873 and ongoing political turbulence in the Reconstruction-era South.
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.
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Part of a series of at least 8 closely resembling paintings and more than 40 sketch drawings, it is regarded as a key work of Moreau's opus, symbolism and fin de siècle art in general. [3] Upon its first presentation 1876 in Salon (French: Salon de Paris ), the painting caused a sensation.