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The Dying Gaul, Capitoline Museums, Rome. The Dying Gaul, also called The Dying Galatian [1] (Italian: Galata Morente) or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost Greek sculpture from the Hellenistic period (323–31 BC) thought to have been made in ...
The Dying Gaul, Roman copy of a Hellenistic original, showing the face, hairstyle and torc of a Gaul or Galatian. First-century BC Roman poet Virgil wrote that the Gauls were light-haired, and golden their garb: Golden is their hair and golden their garb. They are resplendant in their striped cloaks and their milk white necks are circled in ...
The theme of the Dying Gaul (a famous statue displayed in Pergamon) remained a favourite in Hellenistic art for a generation. The king of Attalid Pergamon employed their services in the increasingly devastating wars of Asia Minor; another band deserted from their Egyptian overlord Ptolemy IV after a solar eclipse had broken their spirits.
The Dying Gaul, a statue representing the defeat of the Galatians by Attalus; a marble Roman copy, as the bronze original is lost. [8] Little is known of the early reign of Attalus. The main recorded event of the era was a battle with the Galatians. [9]
Among works there by other sculptors, Pliny attributes to Epigonos [3] a masterful Trumpeter and "his infant pitiably engaged in caressing its murdered mother"; the male figure in his group, once part of the dedication of Attalus I at Pergamon, is probably the original of the marble copy known in modern times as The Dying Gaul, [4] in the ...
The Ludovisi Gaul (sometimes called "The Galatian Suicide") is an ancient Roman statue depicting a Gallic man plunging a sword into his breast as he holds up the dead body of his wife. This sculpture is a marble copy of a now lost Greek bronze original. The Ludovisi Gaul can be found today in the Palazzo Altemps in Rome. This statue is unique ...
Dying Gaul, or The Capitoline Gaul, [1] a Roman marble copy of a Hellenistic work of the late 3rd century BCE, Capitoline Museums, Rome Assyrian lamassu gate guardian from Khorsabad, c. 800 –721 BCE Michelangelo's Moses, (c. 1513–1515), San Pietro in Vincoli, Rome, for the tomb of Pope Julius II Netsuke of tigress with two cubs, mid-19th-century Japan, ivory with shell inlay The Angel of ...
The famous Roman copy of the original Greek sculpture The Dying Gaul depicts a wounded Gaulish warrior naked except for a torc, which is how Polybius described the gaesatae, Celtic warriors from modern northern Italy or the Alps, fighting at the Battle of Telamon in 225 BC, although other Celts there were clothed. [10]
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