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Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
The Graveyard School is an indefinite literary grouping that binds together a wide variety of authors; what makes a poem a "graveyard" poem remains open to critical dispute. At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's " Elegy Written in a Country Churchyard ", Thomas Parnell's "Night-Piece on Death", Robert ...
The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.
"Spirits of the Dead" was first titled "Visits of the Dead" when it was published in the 1827 collection Tamerlane and Other Poems. The title was changed for the 1829 collection Al Aaraaf, Tamerlane, and Minor Poems. The poem follows a dialogue between a dead speaker and a person visiting his grave. The spirit tells the person that those who ...
The words of a French version of the rhyme were adapted by the Dada poet Philippe Soupault in 1921 and published as an account of his own life: . PHILIPPE SOUPAULT dans son lit / né un lundi / baptisé un mardi / marié un mercredi / malade un jeudi / agonisant un vendredi / mort un samedi / enterré un dimanche / c'est la vie de Philippe Soupault [3] [4]
The first page of Beowulf. The earliest known English poem is a hymn on the creation; Bede attributes this to Cædmon (fl. 658–680), who was, according to legend, an illiterate herdsman who produced extemporaneous poetry at a monastery at Whitby.
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
However, traditional rhymes are not necessarily ancient. As an example, the schoolchildren's rhyme commonly noting the end of a school year, "no more pencils, no more books, no more teacher's dirty looks," seems to be found in literature no earlier than the 1930s—though the first reference to it in that decade, in a 1932 magazine article ...