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A musical, Aesop's Fables by British playwright Peter Terson, first produced in 1983, [151] was performed by the Isango Portobello company, directed by Mark Dornford-May at the Fugard Theatre in Cape Town, South Africa, in 2010. [152] The play tells the story of the black slave Aesop, who learns that freedom is earned and kept through being ...
Research points to early Eastern fables dealing with similar disputes. [2] Most notably there is a fragmentary Egyptian papyrus going back to the 2nd millennium BCE that belongs to the Near Eastern genre of debate poems; in this case the dispute is between the Belly and the Head. [3] It is thus among the first known examples of the body politic ...
In addition, Julie Giroux made it the first movement in her A Symphony of Fables (2006) and David Edgar Walther included it in his 2009 opera cycle Aesop's Fables. [19] In 2012 it was one of the ten on David P. Shortland's Australian recording, Aesop Go HipHop , where the sung chorus after the hip hop narration advised against discrimination ...
A sequel, Esope à la cour [69] (Aesop at Court), was first performed in 1701; drawing on a mention in Herodotus 2.134-5 [70] that Aesop had once been owned by the same master as Rhodopis, and the statement in Pliny 36.17 [71] that she was Aesop's concubine as well, the play introduced Rodope as Aesop's mistress, a romantic motif that would be ...
Settings of the Aesop version have been much rarer. It was among Mabel Wood Hill's Aesop's Fables Interpreted Through Music (New York, 1920). [68] It was also included among David Edgar Walther's 'short operatic dramas' in 2009. In 2010 Lefteris Kordis set the Greek text as the second fable in his "Aesop Project" for octet and voice. [69]
The same point of view underlies other fables of Aesop dealing with the tyrannical use of power, such as The Wolf and the Lamb, in which sophistry is rejected in the face of hunger. Still another of Aesop's fables, The fisherman and the little fish, draws much the same conclusion as later European variants of "The Hawk and the Nightingale". The ...
La Fontaine's fable was later set by Paul Bonneau among his 10 Fables de La Fontaine (1957) and Aesop's is the fourth of five pieces by Anthony Plog for narrator, piano and horn (1989/93). [11] Later it also appeared among the three in Canadian Yvonne Gillespie's Aesop's Fables for narrator and full orchestra (2001). [12]
The Snake and the Farmer is a fable attributed to Aesop, of which there are ancient variants and several more from both Europe and India dating from Mediaeval times. The story is classed as Aarne-Thompson-Uther type 285D, and its theme is that a broken friendship cannot be mended. [ 1 ]