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The hymn was composed by Dr. Susana Cabahug and Rogelio Serna, and arranged by Angel Cabilao. [2] It was adopted by the Cebu Provincial Board with the passage of Provincial Ordinance No. 2006–10 on October 2, 2006.
Later that year on September 24, 1970, the Bohol Provincial Board passed Resolution No. 215, making the song the official hymn of Bohol. [ 1 ] A few years later, the provincial government launched a competition to translate the song's lyrics into Boholano , with the winning entry being written by lyricist and composer Maxelende Ganade . [ 2 ]
Simpler chord charts for songs may contain only the chord changes, placed above the lyrics where they occur. Such charts depend on prior knowledge of the melody, and are used as reminders in performance or informal group singing. Some chord charts intended for rhythm section accompanists contain only the chord progression.
Repetitive songs contain a large proportion of repeated words or phrases. Simple repetitive songs are common in many cultures as widely spread as the Caribbean, [1] Southern India [2] and Finland. [3] The best-known examples are probably children's songs. Other repetitive songs are found, for instance, in African-American culture from the days ...
Though ancient Chinese, Indians, Egyptians and Mesopotamians are known to have studied the mathematical principles of sound, [2] the Pythagoreans (in particular Philolaus and Archytas) [3] of ancient Greece were the first researchers known to have investigated the expression of musical scales in terms of numerical ratios, [4] particularly the ratios of small integers.
The song is a variation of a 19th century college students' song "Forty-nine Blue Bottles a-Hangin' on the Wall" or simply "Forty-nine Bottles Hanging on the Wall". [1] The melody and lyrics are recorded in a college songbook from 1890 [2] as: [failed verification]
A cumulative song is a song with a simple verse structure modified by progressive addition so that each verse is longer than the verse before. Cumulative songs are popular for group singing, in part because they require relatively little memorization of lyrics , and because remembering the previous verse to concatenate it to form the current ...
The modern tune was first recorded with the lyrics in 1881, mentioning Eliphalet Oram Lyte in The Franklin Square Song Collection but not making it clear whether he was the composer or adapter. [ 2 ] Legacy and alternative versions