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What's more, vinyl records are also redefining how we view music as an art form. They're not just about sound; they're physical, tangible art pieces—something people can proudly display, flip ...
The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.
With vinyl records, there will be some loss in fidelity on each playing of the disc. This is due to the wear of the stylus in contact with the record surface. Magnetic tapes, both analog and digital, wear from friction between the tape and the heads, guides, and other parts of the tape transport as the tape slides over them. The brown residue ...
Factory worker Martin Frings peels apart a finished master and positive copy of a vinyl record before being copied and going to press at The Vinyl Factory on January 11, 2017 in Hayes, England.
Three vinyl records of different formats, from left to right: a 12 inch LP, a 10 inch LP, a 7 inch single. A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove.
To help you in your search, we asked our vinyl experts to share their go-to tips for identifying rare and valuable records. Meet the Expert Matthew Coates , owner of Big Dawg Records and Groove ...
Records accounted for 71% of revenues from non-digital music formats, and for the second time since 1987, vinyl outpaced CDs in total sold. United Record Pressing underwent its own evolution.
The New Face of Vinyl: Youth's Digital Devolution is a 2011 photo documentary project that explores the vinyl revival, a newfound interest in vinyl records by youth. [1] The project was co-created by two Baldwin-Wallace College students Benjamin Meadors and Owen M. McCafferty II.
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