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Excursion train hauled by locomotive No. 40, in 2005. #40 was purchased new in 1910 for $13,139. In a series of donations beginning in 1986, Kennecott transferred the entire Ore Line, as well as the railroad's yard and shop facilities in East Ely, to the White Pine Historical Railroad Foundation, a non-profit organization that today operates the property as the Nevada Northern Railway Museum ...
The railroad, originally owned by the Nevada Consolidated Copper Company, was transferred to the Kennecott Copper Company in 1933 when it took over Consolidated's mining operations. Passenger service on the Nevada Northern stopped in 1941, [16] and the depot was used for Kennecott offices until 1985. The state of Nevada acquired the depot in ...
Different ornament names can refer to an ornament from a specific area or time period. Understanding these ornaments is important for historically informed performance and understanding the subtleties of different types of music. This list is intended to give basic information on ornaments, with description and illustrations where possible.
Extreme example of ornamentation as a fioritura from Chopin's Nocturne in D ♭ major. In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity ...
The Nevada Northern Railway – McGill Depot in McGill, Nevada was listed on the National Register of Historic Places in 2015. [1] It is a one-and-one-half-story, Craftsman style railroad depot, built of concrete block walls on a poured concrete foundation. [2] It was constructed by the Nevada Northern Railway.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In The Interpretation of Early Music, Robert Donington surveys many treatises to ascertain the history of the slide. [1] Writing in 1654, John Playford noted that the slide can be used in ascending (he called it "elevation") or in descending (he called it "double backfall") forms. [1]
Vocal music of the classical tradition has included a variety of ornaments known as trills since the time of Giulio Caccini. In the preface to his Le nuove musiche, he describes both the "shake" (what is commonly known today as the trill) and the "trill" (now often called a Baroque or Monteverdi trill).
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