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Where art historian José Camón Aznar had attributed between 787 and 829 paintings to El Greco, Wethey reduced the number to 285 authentic works. Halldor Sœhner, a German researcher of Spanish art, recognized only 137. [7] Both Wethey and Sœhner divided in their catalogues the works in those painted by El Greco and those produced by his ...
Paintings by Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), called El Greco ("the Greek", 1541 – April 7, 1614), a Greek-born painter who worked in Crete, Italy and Spain
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
The Virgin Mary, also known as Mater Dolorosa, although this title is now considered misleading, [1] is a late 1590s or early 1600s painting by the Greek born, Spanish Mannerist painter Doménikos Theotokópoulos (El Greco). It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 276. [2]
Annunciation is a 1570 painting by the Greek artist of the Spanish Renaissance El Greco, now in the Museo del Prado in Madrid. According to the art historian José Álvarez Lopera, it derives from an engraving by Jacopo Caraglio.
Pages in category "Paintings by El Greco in the Museo del Prado" The following 34 pages are in this category, out of 34 total. This list may not reflect recent changes .
The anatomy of the human body becomes even more otherworldly in El Greco's mature works; for The Immaculate Conception (El Greco, Toledo) El Greco asked to lengthen the altarpiece itself by another 1.5 ft (0.46 m) "because in this way the form will be perfect and not reduced, which is the worst thing that can happen to a figure". A significant ...
Here we see an added view of Toledo on the bottom left of the painting. For an atmosphere of divinity, El Greco has depicted the supernatural simultaneous glowing of the sun and the moon. When comparing the two paintings to one another, the time gap in their production is visible in how El Greco's stylistic preferences become exaggerated.