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On a Nikon DX format DSLR, a 50 mm lens is cropped to the angle of a view of a short telephoto lens (~75 mm equivalent; field-of-view crop is 1.54). Prime lenses can be cheaper and easier to manufacture than zoom lenses, and may have better optical characteristics compared with zoom lenses of comparable price.
Nikon DX/Sigma DC/Tamron Di II/Tokina DX: Denotes a lens that is designed for APS-C DSLR sensors. Use of this lens on a full-frame (FX) sensor will likely cause vignetting. All full-frame Nikon DSLRs are able to detect DX lenses and crop the image accordingly by default. However, the viewfinder view is likely to be constricted.
The increasingly popular 20-50mm zoom range is arguably more versatile than the more established 16-35mm lenses and shares the minimum 2.5× optical zoom ratio of 28-70mm lenses but shifted to a wider field of view.
All Nikon full-frame "FX" DSLRs have a DX-compatible mode that, by default when a DX-format lens is attached, crops the captured frames to the DX format and adjusts the viewfinder to reflect the smaller capture area. This can be overridden by the user if desired. There are basically three types of F mount Nikon lens: MF = Manual focus lenses
They began breaking new ground around 1960: the Nippon Kogaku Auto-Nikkor 8.5–25 cm f/4-4.5 (1959), for the Nikon F, was the first telephoto zoom lens for 35mm still cameras (and second zoom after the Zoomar), [141] the Canon 50mm f/0.95 (1961), for the Canon 7 35mm RF, with its superwide aperture, was the first Japanese lens a photographer ...
It is Nikon's first Z-mount crop sensor camera body. With its introduction, Nikon also announced two crop-sensor Z-mount lenses, the Nikkor Z DX 16-50 mm f /3.5–6.3 VR and the Nikkor Z DX 50-250 mm f /4.5–6.3 VR. It is the third Z-mount camera body after the Nikon Z7 and Nikon Z6. The camera yields a 20-megapixel still image and 4K video ...
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