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The Slavic languages share a term for "werewolf" derived from the Common Slavic vuko-dlak, meaning "wolf-furr". The wolf as a mythological creature plays an important role in Balkan and Serbian mythology and cults. [34] [35] In the Slavic and old Serbian religion and mythology, the wolf was used as a totem. [36]
In Saxony, a black wolf rampant on a yellow shield features on the crest of von Wolfersdorf family. A green wolf grasping a dead swan in its jaws on a yellow shield is depicted on the crest and Arms of the Counts von Brandenstein-Zeppelin. In Italian heraldry, the attributed arms of Romulus and Remus were said to depict the Capitoline Wolf. An ...
Wolfsangel (German pronunciation: [ˈvɔlfsˌʔaŋəl], translation "wolf's hook") or Crampon (French pronunciation: [kʁɑ̃pɔ̃]) is a heraldic charge from mainly Germany and eastern France, which was inspired by medieval European wolf traps that consisted of a Z-shaped metal hook (called the Wolfsangel, or the crampon in French) that was hung by a chain from a crescent-shaped metal bar ...
:— "The Enfield is a heraldic animal, having the head of a fox, the breast feathered as an eagle's, the foreclaws also of an eagle; the remainder of the body that of a wolf." It follows from such description that the enfield, being compounded of the fox, eagle, and wolf, indicated that he, by whom it was borne, was reputed to possess the ...
The male wolf pulls down the wolf skin of the female, revealing an elderly human female underneath, to reassure the priest that he is not committing blasphemy. After the priest has given communion to the woman/she-wolf, the male wolf leads him out of the woods and gives him a number of prophesies about the future of Ireland and its English ...
The inscription mentions the name Ulfr ("wolf"), and the name Kleppir/Glippir. The last name is not fully understood, but may have represented Glæipiʀ which is similar to Gleipnir which was the rope with which the Fenrir wolf was bound. The two male names may have inspired the theme depicted on the runestone.
The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea, and Sky), [6] or as a symbol of one of the specific Celtic triple goddesses – for example the ...