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BulletBoys is an American hard rock/glam metal band formed in Los Angeles in 1987. The group's original lineup was composed of singer Marq Torien (formerly of Ratt, King Kobra, and Kagny & the Dirty Rats), guitarist Mick Sweda (formerly of King Kobra), bassist Lonnie Vencent (formerly of King Kobra), and drummer Jimmy D'Anda.
Za-Za is the third studio album by American rock band BulletBoys, released in 1993. It was their last album released by Warner Bros. Records , and the final one produced by Ted Templeman . Track listing
Acid Monkey is the fourth album by the American rock band BulletBoys, released in 1995 on Swordholio Records. [2] The album marks a change in direction and style after the breakup of the band in 1993, featuring more of an alternative rock and pop punk influence, with singer Marq Torien and bassist Lonnie Vencent continuing to release albums under the BulletBoys name.
Burning Cats and Amputees is the first greatest hits album by American rock band BulletBoys. Track listing ... Lonnie Vencent – bass, backing vocals; Jimmy D'Anda ...
The album was listed number 8 on Kerrang!s list of hard rock albums in 1986. The same magazine listed the album number 100 on their list of 100 Greatest Heavy Metal Albums of All Time . [ 8 ] In the book Fargo Rock City , journalist Chuck Klosterman names it the second greatest heavy metal album of the 1980s, behind only Appetite For ...
Pages in category "Album series" The following 43 pages are in this category, out of 43 total. This list may not reflect recent changes. 0–9. 20th Anniversary Series;
"Smooth Up in Ya" (also released under the title "Smooth Up") is the debut single by American rock band BulletBoys, released in 1988. It is from their self-titled debut album BulletBoys.
Allmusic's Jason Ankeny said: "Lonnie Smith embraces fusion for Keep On Lovin' , forsaking his signature Hammond B-3 for the Fender Rhodes. ...Purists will no doubt cry foul, but in truth the record's electric sheen isn't so far removed from his Blue Note heyday, and the energy and creativity of his playing demand respect regardless of context".
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