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American quilt in Broderie perse, 1846. Broderie perse (French for "Persian embroidery") is a style of appliqué which uses printed motifs from one fabric to create a design on a background fabric. It was popular in the late 18th century and early 19th centuries. [1]: 111 The technique could be considered an early form of puzzle piecing.
Using this technique, quilts began to appear in households of the 11th to 13th centuries. [5] As the European climate became colder around this time, the incidence of the use of bed quilts rose, and so developed the practice of embellishing a simple cloth through the creation of pattern and design, alongside the development of decorative quilting.
The quilting can either outline the patchwork motifs, or be a completely independent design, for when quilting, the design may not necessarily follow the patchwork design, and the design of the quilting may play off the patchwork design. Outline quilting is when the pieces of the pattern are outlined by the quilting stitches. [1]
Appliqué is used extensively in quilting. "Dresden Plate" and "Sunbonnet Sue" are two examples of traditional American quilt blocks that are constructed with both patchwork and appliqué. Baltimore album quilts, Broderie perse, Hawaiian quilts, Amish quilts, Egyptian Khayamiya and the ralli quilts of India and Pakistan also use appliqué.
An album quilt (c. 1850), part of the collection at the Baltimore Museum of Art. Baltimore album quilts originated in Baltimore, Maryland, in the 1840s. They have become one of the most popular styles of quilts and are still made today. These quilts are made up of a number of squares called blocks. Each block has been appliquéd with a ...
A Hawaiian quilt is a distinctive quilting style of the Hawaiian Islands that uses large radially symmetric applique patterns. Motifs often work stylized botanical designs in bold colors on a white background. Hawaiian quilt appliqué is made from a single cut on folded fabric. Quilting stitches normally follow the contours of the appliqué design.
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