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Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
It was designed to stand against a wall, and appeared in about 1750. It often featured a marquetry in a geometric pattern resembling cubes of dark and light wood, a design very popular in the last years of the Louis XV period. The Bonheur-du-jour was a small desk with cabinet which appeared in about 1760. Following the new style of the late ...
In the later Louis XIV period, under the influence of Boulle, marquetry became the dominant decoration of tables. A particularly fine example is a table by André-Charles Boulle , from 1670–80, which features marquetry made with an assortment of woods, plus pewter, brass, copper, horn, and tortoiseshell; it is now in the California Palace of ...
The Bureau du Roi (French pronunciation: [byʁo dy ʁwa], 'the King's desk'), also known as Louis XV's roll-top desk (French: Secrétaire à cylindre de Louis XV), is the richly ornamented royal cylinder desk which was constructed at the end of Louis XV's reign, and is now again in the Palace of Versailles.
André-Charles Boulle (11 November 1642 – 29 February 1732), [1] le joailler du meuble (the "furniture jeweller"), [2] became the most famous French cabinetmaker and the preeminent artist in the field of marquetry, [3] also known as "inlay". [4] Boulle was "the most remarkable of all French cabinetmakers". [5]
Boulle work [1] (also known as buhl work) is a type of rich marquetry [2] process or inlay perfected by the French cabinetmaker André-Charles Boulle (1642–1732). [3] It involves veneering furniture with tortoiseshell inlaid primarily with brass and pewter in elaborate designs, often incorporating arabesques.
Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
The French Restoration style was predominantly Neoclassicism, though it also showed the beginnings of Romanticism in music and literature. The term describes the arts, architecture, and decorative arts of the Bourbon Restoration period (1814–1830), during the reign of Louis XVIII and Charles X from the fall of Napoleon to the July Revolution of 1830 and the beginning of the reign of Louis ...