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Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
Characterization or characterisation is the representation of characters (persons, creatures, or other beings) in narrative and dramatic works.The term character development is sometimes used as a synonym.
Understatement – a form of irony, sometimes in the form of litotes, in which something is represented as less than it really is, with the intent of drawing attention to and emphasizing the opposite meaning. Universal audience – an audience consisting of all humankind. Utterance – statement that could contain meaning about one's own person.
An antithesis must always contain two ideas within one statement. The ideas may not be structurally opposite, but they serve to be functionally opposite when comparing two ideas for emphasis. [4] According to Aristotle, the use of an antithesis makes the audience better understand the point the speaker is trying to make. Further explained, the ...
In television, a regular, main or ongoing character is a character who appears in all or a majority of episodes, or in a significant chain of episodes of the series. [22] Regular characters may be both core and secondary ones. A recurring character or supporting character often and frequently appears from time to time during the series' run. [23]
'Irony' comes from the Greek eironeia (εἰρωνεία) and dates back to the 5th century BCE.This term itself was coined in reference to a stock-character from Old Comedy (such as that of Aristophanes) known as the eiron, who dissimulates and affects less intelligence than he has—and so ultimately triumphs over his opposite, the alazon, a vain-glorious braggart.
In relation to foreshadowing, the literary critic Gary Morson describes its opposite, sideshadowing. [11] Found notably in the epic novels of Leo Tolstoy and Fyodor Dostoevsky, sideshadowing is the practice of including scenes that turn out to have no relevance to the plot. That, according to Morson, increases the verisimilitude of the fiction ...
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1] Some authors treat and use antiphrasis just as irony, euphemism or litotes. [2] When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings ...