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Another common subject of African masks is a woman's face, usually based on a specific culture's ideal of feminine beauty. Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17]
Pictographs traced to be older than twenty-five thousand years old show humans wearing masks of animals but, like many other masks from this era, these masks were believed to be made of bio-gradable material and unable to stand the test of time. [11] Masks for current ceremonies include those of the Dogon Tribe. The Dogon Masks are made of wood.
Often strips of raffia, which are pieces of fiber from the raffia palm, are attached to the mask. The white color of these masks is associated with things like the spirits of ancestors, death, and male virility or manhood. [2] Most Ngil masks are an oval shape featuring a broad forehead with an elongated chin and nose.
The Sande sowei masquerades promote and represent the images of women in specific ritual and festive contexts. The ceremonies of the Sande society are the only occasions in Africa in which women customarily wear masks. Wooden masks worn during these public ceremonies, such as funerals or the installations of chiefs, are called sowo (sing.
Gebande is the most sacred examples of Dan masks while Genome is a lower rank of masks. [4] [5] The classifications relate to the content which the Dan attribute to the mask, rather than the appearance of the mask. Gebande masks can be divided into a series of subgroups and categories: Subgroups: Singers’ masks; Dancers’ masks; Storytellers ...
The mask is represented both in male and female form. The male version is the most numerous. [4] Kanaga is represented on the flag of French Sudan (1892–1958) and the ephemeral Republic of Sudan (1958–1959). As well as that of the Federation of Mali (1959–1960) grouping Senegal and the Sudanese Republic.
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The Woyo masks are typically made out of wood, and painted with contrasting colors, often in dots. The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [1] They were worn in ceremonial dances known as the ndunga. They are also decorated with sacred objects known as nkissi. [2]
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