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Boris Karloff in James Whale's 1931 film Frankenstein, based on Mary Shelley's 1818 novel.The monster is created by an unorthodox biology experiment.. Biology appears in fiction, especially but not only in science fiction, both in the shape of real aspects of the science, used as themes or plot devices, and in the form of fictional elements, whether fictional extensions or applications of ...
Fiction about biological themes such as genetics, cloning, genetic engineering, disease, or other aspects of biology. Subcategories This category has the following 7 subcategories, out of 7 total.
Speculative evolution is a subgenre of science fiction and an artistic movement focused on hypothetical scenarios in the evolution of life, and a significant form of fictional biology. [1] It is also known as speculative biology [2] and it is referred to as speculative zoology [3] in regards to hypothetical animals. [1]
Biopunk (a portmanteau of "biotechnology" or "biology" and "punk") is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. [1] Biopunk is concerned with synthetic biology.
"A science fiction story is a story built around human beings, with a human problem, and a human solution, which would not have happened at all without its scientific content." [13] Basil Davenport. 1955. "Science fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society." [14] Edmund ...
These include intentionally disgusting [2] alien monsters in science fiction films, often with analogues in nature. Authors and scriptwriters have, to some extent, exploited parasite biology: lifestyles including parasitoid, behaviour-altering parasite, brood parasite, parasitic castrator, and many forms of vampire are found in books and films.
All women have evolved to be beautiful, in an illustration by Paul Merwart for a 1911 edition of Camille Flammarion's 1894 novel La Fin du Monde.. Evolution has been an important theme in fiction, including speculative evolution in science fiction, since the late 19th century, though it began before Charles Darwin's time, and reflects progressionist and Lamarckist views as well as Darwin's. [1]
Gothic science fiction—a subgenre of science fiction that involves gothic conventions; New Wave science fiction—characterized by a high degree of experimentation, both in form and in content; Science fantasy—a mixed genre of story which contains some science fiction and some fantasy elements