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The Animesh quartet is a series of four novels by the Indian Bengali writer Samaresh Majumdar. [1] [2] [3] The principal character of the series is Animesh Mitra who, much like the author himself, grows up amid the tea estates of the Dooars in northern Bengal, but then moves to Kolkata in the 1960s in order to study at Scottish Church College.
Majumdar was best known for his Animesh series of novels, the second of which (Kalbela) won the Sahitya Akademi Award in 1984. He was also known for creating the detective character Arjun, who is the central character of the 2013 film Arjun – Kalimpong E Sitaharan.
Arjun is a young fictional detective character of Bengali literature.He lives at Jalpaiguri in West Bengal [1] The character was created by Samaresh Majumdar in 1983. [2] Arjun's mentor is retired official cop, Mr. Amal Shome.
Arjun is a sleuth cum science fiction character of Jalpaiguri created by famous Bengali writer Samaresh Majumdar for young children. [4] He wrote many stories in the Arjun series, namely Arjun Ebaar Kolkata-e, Arjun Beriye Elo, Arjun@bipbip.com and many more. This film is the first of the Arjun series based on Sitaharan Rahasya and Khunkharapi. [2]
Arjun with Amal Shome – (Samaresh Majumdar) Byomkesh Bakshi with Ajit Banerjee – (Sharadindu Bandyopadhyay) Columbo with Dog – (Richard Levinson and William Link) Dipak Chatterjee with Ratanlal – (Swapan Kumar) Elijah Baley with R. Daneel Olivaw – (Isaac Asimov) Feluda with Topshe – (Satyajit Ray)
Samaresh Basu `Kalkut' Novel 1981 Kolikata Darpan, Pt. I Radharaman Mitra: Local history and culture 1982 Amritasya Putree: Kamal Das Novel 1983 Jete Pari Kintu Keno Jabo: Shakti Chattopadhyay: Poetry 1984 Kalbela: Samaresh Majumdar: Novel 1985 Sei Samay (Part II) Sunil Gangopadhyay: Novel 1986 Raj Nagar: Amiya Bhushan Majumdar: Novel 1987 ...
If so then Deceived Wisdom is the book for you. Organised into easy-to-read standalone sections, it looks at the things we think we know and examines why we don’t know them at all. There is much deceived wisdom in the world – from fit-ness fallacies to dietary deceptions and countless miscellane-ous misconceptions.
Based on a 1980s novel by Samaresh Majumdar, the film sets itself up, quite self-consciously, within a certain tradition of films, namely radical political Bengali cinema of the 1970s and 1980s. It thus establishes an intertextuality and a certain connection with them.