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Jean Paul Marat: scientist and revolutionary. Amherst, New York: Humanity Books. ISBN 978-1573926072. Conner, Clifford D. (2012). Jean-Paul Marat: Tribune of the French Revolution. Pluto Press. ISBN 978-1849646802. Gottschalk, Louis Reichenthal (1927). Jean Paul Marat: a study in radicalism. University of Chicago Press. ISBN 978-0226305325.
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced), is a 1963 play by Peter Weiss.
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade (pronounced), is a 1967 British film adaptation of Peter Weiss' play Marat/Sade.
The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. [1]
Jean-Paul Marat (1743–1793), French political theorist, physician, and scientist; Arts, entertainment, and media. Marat/Sade, a 1963 play by Peter Weiss;
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of Charenton Under the Direction of the Marquis Sade, which is usually simplified to Marat/Sade, is a play written by Peter Weiss in which de Sade directs a play featuring the inmates as actors. During his time at Charenton, de Sade did direct plays at the facility.
Concurrently, Kyuranger members Stinger, Hammie, and Spada search for Lucky, but track Minato's guitar to a warehouse, where the Lupinrangers and BN thieves learn that Lipig is working with Don Arkage, who intends to use the Hyper Planedium in Minato's guitar to become invincible. The Lupinrangers and Kyurangers confront the two and defeat ...
Charlotte Corday held Jean-Paul Marat responsible, while Madame Roland blamed Georges Danton. [ 19 ] [ 20 ] Danton was also accused by later French historians Adolphe Thiers , Alphonse de Lamartine , Jules Michelet , Louis Blanc and Edgar Quinet of doing nothing to stop them. [ 21 ]