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A yukata (浴衣, lit. ' bathrobe ') is an unlined cotton summer kimono, [1] worn in casual settings such as summer festivals and to nearby bathhouses. The name is translated literally as "bathing cloth" and yukata originally were worn as bathrobes; their modern use is much broader, and are a common sight in Japan during summer.
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku) which encompasses all else not recognised as either national dress or the dress of another country.
White fur stoles are usually worn by young women on their Coming of Age Day, whereas other colours are likely to be worn by older women to keep warm. Futokorogatana Translating as "chest sword", a small dagger held in a small, decorative brocade-fabric purse tucked into the collar of a woman's wedding kimono. Similar to a kaiken.
Kimono: The Art and Evolution of Japanese Fashion, edited by Anna Jackson, first published in English in 2015 with French and Italian translations. [2] It describes, with photographs, 220 items from the collection, including essays explaining how the evolution of the kimono reflected political, social and cultural changes in Japan. [4]
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
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As a result, the propaganda kimono designs took on an increasing militaristic air. [7] Wartime animated characters, such as Norakuro, were also frequently appeared in war propaganda kimono textiles. [13] Only since the late 20th-century have scholars in Japan, Europe and the United States begun to seriously study Japanese propaganda kimono. [14]