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A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
Bell Gothic is a sans-serif typeface in the industrial or grotesque style designed by Chauncey H. Griffith in 1938 while heading the typographic development program at the Mergenthaler Linotype Company.
The "Included from" column indicates the first edition of Windows in which the font was included. ... Century Gothic [2] Sans Serif: ... Ink Free [6] Display ...
Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
Alternate Gothic was designed by Morris Fuller Benton for A.T.F. in 1903. It is essentially a moderately bold condensed version of Franklin Gothic, made in three numbered widths - No.1 is the most condensed, 3 the least. One feature that sets it apart from Franklin Gothic is the absence of a bottom serif on the digit 1, like in Akzidenz-Grotesk.
Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1990. [ 1 ] [ 2 ] It is a redrawn version of Monotype's own Twentieth Century , a copy of Bauer's Futura , to match the widths of ITC Avant Garde Gothic .
Globe Gothic (c. 1900, Benton), a refinement of Taylor Gothic, designed by ATF vice-president Phinney in 1897 for Charles H. Taylor for the exclusive use of the Boston Globe. Globe Gothic Condensed + Extra Condensed + Extended (c. 1900, Benton) Globe Gothic Bold (1907, Benton), credited to Benton, though Goudy claims Phinney commissioned him to ...
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
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