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Eastern Orthodox icon of the Praises of the Theotokos, before which the Akathist hymn to Mary may be chanted. Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation ...
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου). Its Western name derives from the incipit of its Latin text.
Several versions of the hymn are in use in different parts of the world. Many of them are original sets of lyrics in various languages, set to the same tune, theme, and refrain. A popular version dating to 1952 [4] is as follows: Immaculate Mary, your praises we sing, You reign now in splendor with Jesus our King. Ave, Ave, Ave Maria! Ave, Ave ...
Through her song in the opening pages of the New Testament, Mary wraps herself in the mantle of Miriam, when she sang at the Red Sea, Sing to the Lord, he has triumphed gloriously, for horse and ...
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
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2003 - Daniel O'Donnell released it on Songs of Faith; 2010 - Susan Boyle performed it onstage with Daniel O'Donnell at his concert in Castlebar, Ireland [1] 2018 - Dana Rosemary Scallon sang it on St Patrick’s Day in St Patrick’s Cathedral, NYC; 2022 - An Italian student records the first full rendition of the song in Italian, [2]