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Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
Throughout most of the 1950s, the magazine published the following charts to measure a song's popularity: Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations. Most Played in Jukeboxes – ranked the most played songs in jukeboxes across the United States.
The 1950s brings to mind poodle skirts, sock hops, and drive-in movies. I Love Lucy, The Honeymooners, and Leave It to Beaver were popular television shows, and Marilyn Monroe, Frank Sinatra, and ...
The earliest popular Latin music in the United States came with rumba in the early 1930s, and was followed by calypso in the mid-40s, mambo in the late 1940s and early 1950s, chachachá and charanga in the mid-50s, bolero in the late 1950s and finally boogaloo in the mid-60s, while Latin music mixed with jazz during the same period, resulting ...
1950s portal This category is for songs written or first produced in the decade 1950s , i.e the years 1950 to 1959 . For more information, see 1950s in music
Topics specifically related to the decade 1950s in the music of United States, i.e. in the years 1950 to 1959. 1900s; ... Music history of the United States in the ...
Bing Crosby sang a version for his Chesterfield radio show on 5 April 1950 which has since been released on CD. [4] Joe Loss and his Orchestra recorded a version in London on 6 March 1950. It was released by EMI on the His Master's Voice label as catalogue numbers BD 6065, IM 1476 and HE 2793. Peggy Lee included the song on her 1958 album Jump ...
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