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The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the book of Genesis chapters 1 and 2. While the Jewish and Christian tradition is that the account is one comprehensive story, [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two different stories drawn from different sources.
Catholic theologian Ludwig Ott in his authoritative Fundamentals of Catholic Dogma, under the section "The Divine Work of Creation", (pages 92–122) covers the "biblical hexahemeron" (the "six days" of creation), the creation of man, Adam/Eve, original sin, the Fall, and the statements of the early Fathers, saints, church councils, and popes ...
The Creation of Man by Ephraim Moses Lilien, 1903. The name Genesis is from the Latin Vulgate, in turn borrowed or transliterated from Greek Γένεσις, meaning 'origin'; Biblical Hebrew: בְּרֵאשִׁית, romanized: Bərēʾšīṯ, 'In [the] beginning'. [9]
The Hexaemeron of Basil of Caesarea (d. 379) is a fourth-century Greek commentary on the Genesis creation narrative (or a Hexaemeron).It is the first known work in this genre by a Christian, following Jewish predecessors of the genre like Philo of Alexandria's De opificio mundi and a now lost work by Aristobulus of Alexandria.
This literature was dedicated to the composition of commentaries, homilies, and treatises concerned with the exegesis of the biblical creation narrative through ancient and medieval times and with expounding the meaning of the six days as well as the origins of the world. [5]
The first chapters of Genesis, on the creation of the world and man, furnished especially rich material for this mode of exegesis. Whole sections are devoted to comments on one or two text verses. Whole sections are devoted to comments on one or two text verses.
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
The basis for many creationists' beliefs is a literal or quasi-literal interpretation of the Book of Genesis.The Genesis creation narratives (Genesis 1–2) describe how God brings the Universe into being in a series of creative acts over six days and places the first man and woman (Adam and Eve) in the Garden of Eden.
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