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Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
In poetry, enjambment (/ ɪ n ˈ dʒ æ m m ə n t, ɛ n-,-ˈ dʒ æ m b-/; [1] from the French enjamber) [2] [3] [4] is incomplete syntax at the end of a line; [5] the meaning 'runs over' or 'steps over' from one poetic line to the next, without punctuation. [6] Lines without enjambment are end-stopped. [7]
The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry. [7] For example, in the following lines from a poem by A. E. Housman, the last words of both lines rhyme with each other. Loveliest of trees, the cherry now
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements.
For example, the common pattern "DUM-da-DUM-da" could allow between one and five unstressed syllables between the two stresses. The following is a famous example, taken from The Battle of Maldon, a poem written shortly after the date of that battle (AD 991):
An example of the use of danda as caesurae in Indian poetry is in the "dohas" or couplet poems of Sant Kabir Das, a 15th-century poet who was central to the Bhakti movement in Hinduism. [7] Kabir employs the danda to mark semi-verse and verse, as in the following couplet:
Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. [3] It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry.