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"Hearts of Stone" is an American R&B song. It was written by Eddie Ray and Rudy Jackson, [1] members of the San Bernardino, California-based rhythm and blues vocal group the Jewels (no relation to the female group the Jewels from Washington, DC) which first recorded it for the R&B label in 1954. The Jewels began as a gospel group, then became ...
The Charms' first record in June 1953, "Heaven Only Knows", was not a hit, and after a couple more releases they moved to another King subsidiary label, De Luxe Records, also run by Stone. [1] They recorded several more times before, in 1954, " Hearts of Stone " gave them their first and biggest hit, reaching No. 1 on the R&B charts for nine ...
Hearts of Stone is the third album by New Jersey rock band Southside Johnny and the Asbury Jukes, released in October 1978. The album peaked at number 112 on the Billboard 200 chart during the week of January 13, 1979. [4] All of the album's songs were written by Southside Johnny, Bruce Springsteen, and E Street Band guitarist Steven Van Zandt.
"Two Hearts", [1] or "Two Hearts, Two Kisses (Make One Love)" is a popular song, written by Otis Williams and Henry Stone in 1954. [2] It was originally recorded by Otis Williams and the Charms , it first reached the Billboard R&B chart on March 23, 1955, and lasted 12 weeks on the chart, peaking at number 8.
US Billboard 1 – Aug 1955 (21 weeks), US CashBox 1 – Aug 1955 (29 weeks), Radio Luxembourg sheet music 1 for 1 week – Jan 1956, Oscar in 1955 (film 'Love is a Many Splendored Thing'), UK 2 – Nov 1955 (13 weeks), Peel list 2 of 1955, Italy 3 of 1956, DZE 3 of 1955, US BB 9 of 1955, POP 9 of 1955, Flanders 13 – Dec 1955 (3 months), RYM ...
Album US Country Label 1951 Red Foley Souvenir Album: Decca 1953 A Tribute to Jimmie Rodgers: Sing a Song of Christmas: 1954 Lift Up Your Voice: 1955 Beyond the Sunset: 1956 Red and Ernie, Vol. 1 (with Ernest Tubb) Red and Ernie, Vol. 2 (with Ernest Tubb) 1958 Red Foley's Dickies Souvenir Album: I Believe: He Walks with Thee: Beyond the Sunset ...
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In 1951, they had a minor hit with "The Tennessee Waltz", of which bigger selling recordings were made by Patti Page and Les Paul and Mary Ford. In 1954 they switched to Randy Wood's Dot Records , [ 12 ] where they abandoned the slow late 1940s-early 1950s style for faster material aimed at the growing teen/rock-and-roll audience, and they had ...