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Most Jewish writers in al-Andalus—while incorporating elements such as rhyme, meter, and themes of classical Arabic poetry—created poetry in Hebrew, but Samuel ibn Naghrillah, Joseph ibn Naghrela, and Ibn Sahl al-Isra'ili wrote poetry in Arabic. [9] Arabic poetry declined after the 13th century along with much of the literature due to the ...
A Promenade of the Hearts (Arabic: نزهة الألباب, romanized: nuzhat al-ʾalbāb) is a collection of stories, anecdotes, and poems from the Arab Middle Ages, including some poems on homosexual and lesbian themes. [1] Ahmad al-Tifashi, the compiler (1184–1253), was born in Tiffech (now in Algeria), and studied in Tunisia, Egypt and ...
Jamīl ibn 'Abd Allāh ibn Ma'mar al-'Udhrī (Arabic: جميل بن عبد الله بن معمر العذري; d.701 CE), also known as Jamil Buthayna, was a classical Arabic love poet. He belonged to the Banu 'Udhra tribe which was renowned for its poetic tradition of chaste love.
The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain. [2] [3]
Arabic literature (Arabic: الأدب العربي / ALA-LC: al-Adab al-‘Arabī) is the writing, both as prose and poetry, produced by writers in the Arabic language. The Arabic word used for literature is Adab , which comes from a meaning of etiquette , and which implies politeness, culture and enrichment.
Abu Nuwas’s diwan, his poetry collection, was divided by genre: panegyric poems, elegies, invective, courtly love poems on men and women, poems of penitence, hunting poems, and wine poems. [7] His erotic lyric poetry, which is mostly homoerotic, is known from over 500 poems and fragments. [ 8 ]
Alā yā ayyoha-s-sāqī is a ghazal (love poem) by the 14th-century poet Hafez of Shiraz. It is the opening poem in the collection of Hafez's 530 poems. In this poem, Hafez calls for wine to soothe his difficulties in love. In a series of varied images he describes his feelings.
Al-Bayati was influenced by the Middle Eastern Sufi figures. One example is a poem by Al-Bayati entitled "A’isha's Mad Lover" in his book, Love Poems on the Seven Gates of the World (1971): "In this context Al-Bayati’s poetry becomes Sufi in default, since he assumes the position as a modernist whose aspirations for an earthy paradise have not materialized."