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The lyrics of Thanh Niên Hành Khúc were revised by former President Ngo Dinh Diem in 1956. The composer Lưu Hữu Phước opposed South Vietnam's use of the song and in 1949 he wrote a letter in protest; later the Voice of Vietnam sporadically broadcast Lưu Hữu Phước's criticisms. [3]
The song had to be easy to remember, sing, perform and popularize. Mai Văn Bộ and Huỳnh Văn Tiểng wrote the lyrics and Lưu Hữu Phước composed the music. The trio decided to use a new pseudonym "Huỳnh Minh Liêng", with the letter H, M, L representing the family name of each member.
Lâm Nhật Tiến (born September 3, 1971) is a Vietnamese American singer who was affiliated with the music label Asia Entertainment Inc. from 1994 to 2016. [1] He gained prominence through numerous appearances in Asia Entertainment's music videos, establishing himself as one of Vietnam's leading male pop stars.
Thien Su was the third album that she cooperated with famous producer and guitarist from Ha Noi - Thanh Phuong, like Moc and Diamond. Unlike Portrait 17 which was mostly ballad songs about love, country and human, in Thien Su there were many familiar yet more complicated songs filled with thoughts about love and oneself.
"Tiến Quân Ca" (lit. "The Song of the Marching Troops") is the national anthem of Vietnam . The march was written and composed by Văn Cao in 1944, and was adopted as the national anthem of North Vietnam in 1946 (as per the 1946 constitution ) and subsequently the Socialist Republic of Vietnam in 1976 following the reunification of Vietnam .
"Để Mị nói cho mà nghe" ("Let Mị tell you something") is a song by Vietnamese singer Hoàng Thùy Linh in her third studio album, Hoàng (2019). It was released by The Leader Entertainment on June 19, 2019 as the lead single from the album. The song was written by Thịnh Kainz, Kata Trần, T-Bass, and is produced by Kainz himself.
Makoto Niitsu (新津 誠, Niitsu Makoto, born February 9, 1973), known as Makoto Shinkai (新海 誠, Shinkai Makoto), is a Japanese filmmaker and novelist.He is known for his anime feature films produced with studio CoMix Wave Films.
The song was a traditional folk song adapted from the popular French melody of La Rosalie. [1] Following the popularity of the French melody, it became a popular Indonesian folk song as well as for Malays at parties and cabarets in the Malay Peninsula from the 1920s to the 1930s.