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Church sketched throughout southern Vermont in 1849, completing more than ten paintings that year, including A Mountain Tempest, The Plague of Darkness, West Rock, New Haven, Above the Clouds at Sunrise, View in Pittsford, Vermont, New England Landscape (Evening after a Storm), The Harp of the Winds (A Passing Storm), Morning, Sunset, and Lower ...
Spur at the Edge at Sunset, Grindewald (or Spur of the Edge at Sunset, Grindewald) Oil on canvas 25.4 cm × 19.1 cm (10.0 in × 7.5 in) Herbert F. Johnson Museum of Art, Cornell University IAP 35010030: Mountain Study: Oil on paperboard 16 cm × 24.1 cm (6.3 in × 9.5 in) Stark Museum of Art IAP 60970148: A Quiet Cove: Oil on canvas
A View of the Two Lakes and Mountain House, Catskill Mountains, Morning: 1844 Oil on canvas 91 by 136.9 centimetres (35.8 in × 53.9 in) Brooklyn Museum, New York [110] American Lake Scene: 1844 Oil on canvas 46.4 by 62.2 centimetres (18.3 in × 24.5 in) Detroit Institute of Arts, Michigan [111] The Mill, Sunset: 1844 Oil on canvas
Albany Institute of History and Art, New York West Rock, New Haven: 1849: Oil on canvas: 27 + 1 ⁄ 8 in × 40 + 1 ⁄ 8 in (690 mm × 1,020 mm) New Britain Museum of American Art, Connecticut [4] Mountain Landscape: 1849: Oil on canvas: 34.6 × 48.5 cm: Brauer Museum of Art, Valparaiso, Indiana Above the Clouds at Sunrise: 1849: Oil on canvas ...
The Course of Empire is a series of five paintings created by the English-born American painter Thomas Cole between 1833 and 1836, and now in the collection of the New-York Historical Society. The series depicts the growth and fall of an imaginary city, situated on the lower end of a river valley, near its meeting with a bay of the sea.
Above Mountain Summit: 31 x 24.1 Kunstmuseum Den Haag: Gouache on paper 1917 Municipal Jewel: 16.8 × 26 Metropolitan Museum of Art, New York Watercolor, gouache, and graphite on gesso on paper, on cardboard 1917 Colorful Architecture: 26 x 20 Metropolitan Museum of Art, New York Gouache on paper on cardboard 1918
Exhibited at the National Academy of Design, 1864. Sold for $300 at the posthumous April 11 & 12, 1881 auction of Gifford's paintings. [15] related: The View from South Mountain in the Catskills, A Sketch (1865), private collection; related: The View from South Mountain in the Catskills (1871), St. Johnsbury Athenaeum, Vermont. [64]
Robert William Wood (March 4, 1889 – March 14, 1979) was an American landscape painter. [1] He was born in England, emigrated to the United States and rose to prominence in the 1950s with the sales of millions of his color reproductions. [2]
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