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"Chan Mali Chan" is a folk song popular in Malaysia and Singapore. [1] [2] The song is a light-hearted song that may have its origin in a Malay poem pantun. [3] In Indonesia there are songs that have similar tones such as "Anak Kambing Saya" ("My Lamb" or "My Baby Goat") written by Saridjah Niung. [4] [5] [6] It is commonly sung as a children's ...
Malaysian popular music, sometimes called shortly Malaysian pop (Malay: Pop Malaysia) or abbreviated as M-pop, refers to popular music forms in Malaysia.Although popular music in various languages such as Mandopop are popular and have been produced in Malaysia, Malaysian pop refers to music recorded primarily in the Malay language in Malaysia.
The Malay word for ghost is hantu. However, this word also covers all sorts of demons, goblins and undead creatures and are thought to have real physical bodies, instead of just apparitions or spectres. The most famous of these is the pontianak or matianak, the ghost of a female stillborn child which lures men in the form of a beautiful woman.
As an alternative to counting, a metronome can be used to accomplish the same function. Triple meter, such as 3 4, is often counted 1 2 3, while compound meter, such as 6 8, is often counted in two and subdivided "One-and-ah-Two-and-ah" [2] but may be articulated as "One-la-lee-Two-la-lee". [2] For each subdivision employed a new syllable is used.
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Indonesian, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
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Pantuns are an oral poetry form indigenous to the Malay region, [6] and are not exclusive to the dikir barat.) That the dikir barat uses pantuns does not mean that it is a performance of poetry . Like any poet, the tukang karut is expected to create lyrics that touch upon everyday life, but he can also address social issues, legal matters ...
The song was performed by non-natives (Australians) singing in both English and Malay. The lyrics present a love story setting between the two lovers. The B-side of the record is "Planting Rice", loosely based on the Filipino folk song Magtanim Ay 'Di Biro , also performed by Paul Lombard accompanied by a vocal chorus by Joan Wilton.