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Horror movies are responsible for some of the most memorable movie quotes of all time. Whether it's a character summing up everything that makes them scary in one line, a killer uttering a ...
Splatterpunk is a movement within horror fiction originating in the 1980s, distinguished by its graphic, often gory, depiction of violence, countercultural alignment [1] and "hyperintensive horror with no limits." [2] [3] [4] The term was coined in 1986 by David J. Schow at the Twelfth World Fantasy Convention in Providence, Rhode Island.
“This is a thing called a present. The whole thing starts with a box.” “Just a box with bright-colored paper. And the whole thing’s topped with a bow.”
This is a navigational list of notable writers who have published significant work in the horror fiction genre, who also have stand-alone articles on Wikipedia. All items must have a reference to demonstrate that they have produced significant work in the horror genre.
A set of props used in the production of the Saw films, which are notorious for depicting extreme graphic violence. Extreme cinema (or hardcore horror and extreme horror [1] [2]) is a subgenre used for films distinguished by its use of excessive sex and violence, and depiction of extreme acts such as mutilation and torture.
He noted "the fact that these two complete contrasts were identical—divine ecstasy and extreme horror", [4] and he went on to challenge the conventions laid down by the surrealists at the time with an anti-idealist philosophy conditioned on what he called "the impossible", defined by breaking "rules" until something beyond all rules was ...
Writers use scare quotes for a variety of reasons. They can imply doubt or ambiguity in words or ideas within the marks, [18] or even outright contempt. [19] They can indicate that a writer is purposely misusing a word or phrase [20] or that the writer is unpersuaded by the text in quotes, [21] and they can help the writer deny responsibility for the quote. [19]
Like horror fiction, generally the cautionary tale exhibits an ambivalent attitude towards social taboos. The narrator of a cautionary tale is momentarily excused from the ordinary demands of etiquette that discourages the use of gruesome or disgusting imagery because the tale serves to reinforce some other social taboo.
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