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This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
"Money" has been described as a progressive rock, [3] blues rock, [4] and hard rock song. [5] Much of the song has an unusual time signature, 7 4. [6] [a] Waters wrote the central riff on an acoustic guitar, and chose the time signature as it fitted the "bluesy feel" of the song. [11]
8 time signature to be used for an irregular, or "additive" metrical pattern, such as groupings of 3 + 3 + 3 + 2 + 3 + 2 + 3 + 2 eighth notes. Septuple meter can also be notated by using regularly alternating bars of triple and duple or quadruple meters, for example 4
A signature song is the one song (or, in some cases, one of a few songs) that a popular and well-established recording artist or band is most closely identified with or best known for. This is generally differentiated from a one-hit wonder in that the artist usually has had success with other songs as well.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
The verses are in 7 4 time, an unorthodox meter which the band would also later use in " Spoonman ". [ 6 ] Guitarist Kim Thayil has said that Soundgarden usually did not consider the time signature of a song until after the band had written it, and said that the use of odd meters was "a total accident."
Funk is well known for using odd time signatures, especially 7 4. For instance, the track "Szamár Madár" from Rossz Csillag Alatt Született uses a sample from Edward Elgar's 'Cello Concerto', edited into a 7 4 time signature. [14] The album Thank You for Your Consideration also employs unusual meters instead of the 4 4 time used in most ...
The drum style is quite complicated for a punk rock song due to the cymbal crashes and 7/4 time signature used in the tune's second section. The song is the shortest of all of the album's tracks. It was made an instrumental essentially to fulfill the cultural reference that Johnny Ramone wanted to give it. [2]