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In addition to composing new music, Goldsmith used music from his previous Star Trek scores, including his theme from The Motion Picture. [33] The Klingon theme from the same film is used to represent Worf. [34] Because of delays with Paramount's The Ghost and the Darkness, the already-short four-week production schedule was cut to just three ...
Columbia Records released the score in 1979, in conjunction with the film's release and became one of Goldsmith's best-selling scores. [1]: 90 This would be followed by an expanded edition released by Legacy Recordings on November 10, 1998, with additional 21 minutes of music supplemented the original track list, and released into a double disc album, with the first containing the score and ...
The band is named for Sto-vo-kor, the afterlife of Star Trek ' s fictional Klingon species. Although acknowledging a debt to Klingon-themed karaoke, [1] according to guitarist Ward Young, the band has chosen the perfect genre for their characters: "Klingons are very macho, very militaristic, and metal is definitely their music."
Star Trek: Insurrection is the musical score for the 1998 science fiction film of the same name. It is the fourth musical score for a Star Trek film composed by Jerry Goldsmith , following The Motion Picture (1979), The Final Frontier (1989) and First Contact (1996).
The First Contact soundtrack was released by the independent label GNP Crescendo Records—which distributed all of the Star Trek film and television soundtracks—on December 2, 1996, [7] [8] The album contained 51 minutes of music, with 35 minutes of Jerry Goldsmith's score, 10 minutes of additional music by Joel Goldsmith, and two licensed songs—Roy Orbison's "Ooby Dooby" and Steppenwolf ...
As depicted in Star Trek, the Klingons are passionate opera lovers. [3] [4] According to the official webpage for the opera, "Klingon opera uses the principle of musical combat. Beauty in Klingon music comes from the impact of two opposing forces." [5] ʼuʼ is translated to English as "universe" or "universal". [6] [7]
McCarthy first became involved in composing music for Star Trek with the first episode of Star Trek: The Next Generation, "Encounter At Farpoint". [1] He went on to work on several more Star Trek series, along with the film Star Trek Generations. He won an Emmy Award for his composition of the theme tune for Star Trek: Deep Space Nine. [2]
Star Trek: Klingon is an interactive movie video game set in the Star Trek universe. It was written by Hilary Bader, directed by Jonathan Frakes , and featured music by Gregory Smith. It was released in 1996 by Simon & Schuster for Microsoft Windows , and Mac OS .
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