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[5] As discussed by critic Marshall Soules, medium specificity and media specific analysis are playing an important role in the emergence of new media art forms, such as Internet art. [6] Medium specificity suggests that a work of art can be said to be successful if it fulfills the promise contained in the medium used to bring the artwork into ...
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.
Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. Site-specific art is produced both by commercial artists, and independently, and can include some instances of work such as sculpture, stencil graffiti, rock balancing, and other art ...
Medium essentialism is a philosophical theory stating that each artform has its own distinctive medium, and that the essence of such an artform is dependent on its particular medium. [1] In practice, the theory argues that every artwork should manifest its essential properties, those which no other artform can employ.
By placing them in the context of art, he endowed a new significance to ordinary objects. These cross-medium creations challenged the doctrine of medium specificity mentioned by modernist art critic Clement Greenberg. American artist Frank Stella created a large body of paintings in the late 1950s that recall the Combines of Robert Rauschenberg ...
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), [1] occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.
The tableau as a form still dominates the art photography market. As Fried notes: "Arguably the most decisive development in the rise of the new art photography has been the emergence, starting in the late 1970s and gaining impetus in the 1980s and after, of what the French critic Jean-François Chevrier has called the "tableau form" (p. 143). [9]
Transmediality is a term used in intermediality studies, narratology, and new media studies (in particular in the phrase ‘transmedia storytelling’ derived from Henry Jenkins), to describe phenomena which are non-media specific, meaning not connected to a specific medium, and can therefore be realized in a large number of different media, such as literature, art, film, or music.