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Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ...
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ...
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style and a smooth, lush style of vocal arrangement.
Several terms were introduced, such as "blue-eyed soul", which is R&B or soul music performed by white artists. The meaning of blue-eyed soul has evolved over the decades. Originally the term was associated with mid-1960s white artists who performed soul and R&B that was similar to the music released by Motown Records and Stax Records. [34]
Alternative R&B (also referred to as alt-R&B, indie R&B, and originally known as PBR&B, hipster R&B, emo R&B, [5] [6] or R-Neg-B [7]) is a term used by music journalists to describe a stylistic alternative to contemporary R&B that began in the mid 2000s and came to prominence with musical artists such as Frank Ocean, Zayn Malik, Tyler, The Creator, Childish Gambino, Drake, the Weeknd, SZA ...
A slow jam is music with rhythm and blues and soul influences. Slow jams are commonly R&B ballads or downtempo songs, and are mostly soft-sounding with heavily emotional or romantic lyrical content. The earliest known use of the term is from a July 1, 1961, article in The Chicago Defender .
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Blue-eyed soul (also called white soul [1]) is rhythm and blues (R&B) and soul music performed by White artists. [2] The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly black Motown and Stax record labels.