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Watercolor Painting in a Rainy Day (Korean: 비오는 날 수채화; RR: Bioneun nal suchaehwa, English title according to Cine21 is A Sketch of a Rainy Day) is the 1989 South Korean debut film by director Kwak Jae-yong. The sequel Watercolor Painting in a Rainy Day 2 was released in 1993.
An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
Gouache (/ ɡ u ˈ ɑː ʃ, ɡ w ɑː ʃ /; French:), body color, [a] or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), [1] and sometimes additional inert material.
This page was last edited on 12 January 2025, at 08:32 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Robert Albert William Wade, OAM (29 July 1930 – 30 January 2024) was an Australian artist. [1] [2]Wade lectured on the heritage of Australian watercolour to many art societies around the world, and was referred to as Australia's Unofficial Ambassador of Watercolour. [1]
The American Gangster is a 1992 American crime documentary film directed by Ben Burtt and written and produced by Ray Herbeck Jr. The documentary is narrated by Dennis Farina and explores the lives of America's gangsters such as Pretty Boy Floyd, John Dillinger, Al Capone, and Bugsy Siegel. It was directly released on VHS in 1992 and later ...
This page was last edited on 10 February 2022, at 16:24 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The movie is hailed as a classic in the gangster movie genre, [2] [3] and considered an homage to the classic gangster movie of the early 1930s. [4] The Roaring Twenties was the third and last film that Cagney and Bogart made together. The other two were Angels with Dirty Faces (1938) and The Oklahoma Kid (1939).