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Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will.
Trees in Chinese mythology and culture tend to range from more-or-less mythological such as the Fusang tree and the Peaches of Immortality cultivated by Xi Wangmu to mythological attributions to such well-known trees, such as the pine, the cypress, the plum and other types of prunus, the jujube, the cassia, and certain as yet unidentified trees ...
The Chinese idea of the universal God is expressed in different ways. There are many names of God from the different sources of Chinese tradition. [17] The radical Chinese terms for the universal God are Tian (天) and Shangdi (上帝, "Highest Deity") or simply, Dì (帝, "Deity"). [18] [19] There is also the concept of Tàidì (太帝, "Great ...
The 121 CE Shuowen Jiezi, the first important dictionary of Chinese characters, does not enter 仙 except in the definition for 偓佺 (Wòquán "name of an ancient immortal"). It defines 僊 as "live long and move away" and 仚 as "appearance of a person on a mountaintop".
Also in Greek mythology, Prometheus moulds a clay statue of Athena, the goddess of wisdom to whom he is devoted, and gives it life from a stolen sunbeam. [ 23 ] Pandora , from Greek mythology, was fashioned from clay and given the quality of "naïve grace combined with feeling".
Tian (天) is one of the oldest Chinese terms for heaven and a key concept in Chinese mythology, philosophy, and religion. During the Shang dynasty (17th―11th century BCE), the Chinese referred to their highest god as Shangdi or Di (帝, 'Lord'). [1] During the following Zhou dynasty, Tian became synonymous with this figure.
In ancient Chinese legends, the crane shows the elegance of the immortals, which included the meaning of elegance, moral integrity and the personal dignity of the immortals. [8] The crane is often praised in classical Chinese literature and is perceived as elegant and graceful, and when a crane spreads its wings, it reflects an outstanding ...