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Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
The Open Type Andika font in a word-processor with two character variants selected. Typefaces may be made in variants for different uses. These may be issued as separate font files, or the different characters may be included in the same font file if the font is a modern format such as OpenType and the application used can support this. [45 ...
Signs using Johnston, in the London Transport Museum Acton archive. Johnston had become interested in sans-serif letters some years before the commission: although best known as a calligrapher, he had written and worked also on custom lettering, and in his 1906 textbook Writing and Illuminating and Lettering had noted "It is quite possible to make a beautiful and characteristic alphabet of ...
He used it for designing Newsweek, commissioning a bolder custom redesign from Jim Parkinson, later released commercially. [ 4 ] [ 28 ] [ 29 ] Font Bureau , the digital typeface design studio he co-founded in 1989, also issued Bureau Grotesque, an adaptation of the whole Grotesque family with a large range of styles, co-designed by the company ...
Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.. Gill Sans is based on Edward Johnston's 1916 "Underground Alphabet", the corporate font of London Underground.
Words with specific British English meanings that have different meanings in American and/or additional meanings common to both languages (e.g. pants, cot) are to be found at List of words having different meanings in American and British English. When such words are herein used or referenced, they are marked with the flag [DM] (different meaning).
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The initial success of the face was short lived however, both due to business problems with the British Letter Foundry, which led first to Bell leaving it and then its sale in 1797, and later by 1808 a dramatic change in tastes in printing towards darker typefaces with greater extremes of thick and thin strokes.