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Rita Tushingham (born 14 March 1942) is a British actress. ... She also co-starred as Margaret Sheen in the TV film Green Eyes (1977). In the 1960s, ...
Tushingham and Murray Melvin won Best Actress and Best Actor, respectively, at the 1962 Cannes Film Festival. [25] [26] Richardson received a nomination at the 1962 15th Directors Guild of America Awards. [27] Tushingham won a 1963 Golden Globe for Most Promising Newcomer [28] (tied with Patty Duke for The Miracle Worker and Sue Lyon for Lolita).
The Leather Boys is a 1964 British drama film directed by Sidney J. Furie and starring Rita Tushingham, Colin Campbell, and Dudley Sutton.The story is set in the very early 60s Ton-Up boys' era, just before the rocker subculture in London and features a gay motorcyclist.
The Radio Times Guide to Films gave the film 4/5 stars, writing: "Made at the height of the Swinging Sixties, this surprisingly moving drama was a distinct change of pace for stars Oliver Reed and Rita Tushingham. Set in Canada in the 1880s, it traces the relationship of fur trapper Reed and the waif-like Tushingham, a mute he purchases at a ...
Rita Tushingham: Nominated Best Cinematography, Black and White: David Watkin: Nominated Most Promising Newcomer: Michael Crawford: Nominated Cannes Film Festival: 3 – 16 May 1965: Palme d'Or: Richard Lester Won [13] Golden Globe Awards: 28 February 1966: Best Actress – Comedy or Musical: Rita Tushingham Nominated [16] Best Foreign Film ...
Girl with Green Eyes is a 1964 British romantic drama film directed by Desmond Davis and starring Peter Finch, Rita Tushingham, Lynn Redgrave and Julian Glover.Adapted by Edna O'Brien from her novel The Lonely Girl, the film tells the story of a young, naive country girl's romance with a sophisticated older man.
First married in 1988, actors, entertainers and producers Tom Hanks and Rita Wilson have had a lasting Hollywood romance, proving that even the most ideal relationship isn't limited to what fans ...
Film critic Alexander Walker wrote in Hollywood England that it was a film "whose crude exploitation of [Lynn Redgrave and Rita Tushingham] once more as innocents-at-large in the big city was to show how coarse and knowing the freshness of the cinema had turned once Britain was 'swinging' and the movies had to swing with it".
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