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Title Year produced Year colorized Distributor and color conversion company Babes in Arms: 1939: 1993: Turner Entertainment [43] [44]: Babes in Toyland: 1934: 1991: American Film Technologies
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
Turner Enterprises, Inc. (TEI) is a private American company that was founded in 1976 and manages the business interests, land holdings and investments of Ted Turner, [85] including the oversight of Turner's 24 properties across the United States and Argentina.
Babes in Toyland is a Laurel and Hardy musical Christmas film released on November 30, 1934. The film is also known by the alternative titles Laurel and Hardy in Toyland, Revenge Is Sweet (the 1948 European reissue title), and March of the Wooden Soldiers (in the United States), a 73-minute abridged version.
Although Turner sold MGM back to Kirk Kerkorian some months later, Turner retained the film catalog. Turner Entertainment Co. (currently owned by Warner Bros.), therefore, controls the rights to the Popeye shorts. After Turner's acquisition, the black-and-white Popeye shorts were shipped to South Korea, where artists retraced them into color ...
In 1990, media mogul Ted Turner announced he would begin colourising black-and-white motion pictures to make them more pleasing to audiences watching his cable networks. The announcement generated extensive controversy. Touring Turner's colourisation facilities as a member of the Directors Guild, Wise learned that Turner was colourising The ...
Kinemacolor faced several issues, including its inability to reproduce the full color spectrum due to being a two-colour process. Other issues included eye strain and frame parallax because it used a successive frame process, as well as the need for a special projector. The color filters absorbed so much light that studios had to be built open-air.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
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