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Nakamise-dōri at night Nakamise-dōri under the state of emergency for coronavirus pandemic in 2020. The Nakamise-dōri (仲見世通り) is a street on the approach to the temple. It is said to have come about in the early 12th century, when neighbors of Sensō-ji were granted permission to set up shops on the approach to the temple.
Benzaiten (shinjitai: 弁才天 or 弁財天; kyūjitai: 辯才天, 辨才天, or 辨財天, lit. "goddess of eloquence", Benten, Chinese: 辯才天, Biancaitian) is an East Asian Buddhist goddess (technically a Dharmapala, "Dharma protector") who originated mainly from the Buddhist Indian Saraswati, goddess of speech, the arts, and learning.
Back to Back is a 1959 studio album by Johnny Hodges and Duke Ellington.It was followed by Side by Side (1959), which combines three tracks recorded at one of the same sessions with six tracks recorded in August 1958 by a different, Hodges-led group that did not include Ellington.
An example of Benten-dō In Japanese a Benten-dō ( 弁天堂 , lit. hall of Benten ) is a Buddhist temple dedicated to Benten or Benzaiten , goddess of wealth, happiness, wisdom, and music. Many such temples exist all over Japan.
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
Benjamin Franklin Peay (September 19, 1931 – April 9, 1988), known professionally as Brook Benton, was an American singer and songwriter whose music transcended rock and roll, rhythm and blues, and pop music genres in the 1950s and 1960s, with hits such as "It's Just a Matter of Time" and "Endlessly".
"Hill Street Blues" is a 1981 instrumental by Mike Post. It is the theme from the TV series Hill Street Blues , and features Larry Carlton on guitar. The single spent over five months on the charts and reached number 10 on the U.S. Billboard Hot 100 .
The title refers to Beale Street in Memphis, Tennessee, an entertainment district for the city's African-American population in the early part of the 20th century. [1] Accounts of Handy's inspiration vary: one is that he observed a pianist playing in a cafe on that street; [ 2 ] another credits a barber commenting on closing early because no ...