Search results
Results from the WOW.Com Content Network
In the poem, the narrator admires the bird as it hovers in the air, suggesting that it controls the wind as a man may control a horse. The bird then suddenly swoops downwards and "rebuffed the big wind". The bird can be viewed as a metaphor for Christ or of divine epiphany. Hopkins called "The Windhover" "the best thing [he] ever wrote". [2]
"Harlem" (also known as "A Dream Deferred") [2] is a poem by Langston Hughes. These eleven lines ask, "What happens to a dream deferred?", providing reference to the African-American experience. It was published as part of a longer volume-length poem suite in 1951 called Montage of a Dream Deferred , but is often excerpted from the larger work.
"The Wind" shows great inventiveness in its choice of metaphors and similes, while employing extreme metrical complexity. [9] It is one of the classic examples [10] [11] of the use of what has been called "a guessing game technique" [12] or "riddling", [13] a technique known in Welsh as dyfalu, comprising the stringing together of imaginative and hyperbolic similes and metaphors.
Absence makes the heart grow fonder; Absolute power corrupts absolutely (John Dalberg-Acton, 1887) [6] Accidents will happen (in the best-regulated families) Actions speak louder than words; Adversity makes strange bedfellows; All good things come to him who waits; All good things must come to an end; All hands on deck/to the pump
“The Second Coming” is a poem written by Irish poet William Butler Yeats in 1919, first printed in The Dial in November 1920 and included in his 1921 collection of verses Michael Robartes and the Dancer. [1]
"Where there's a whip there's a will": Orcs driving a Hobbit across the plains of Rohan. Scraperboard illustration by Alexander Korotich, 1995 . The author J. R. R. Tolkien uses many proverbs in The Lord of the Rings to create a feeling that the world of Middle-earth is both familiar and solid, and to give a sense of the different cultures of the Hobbits, Men, Elves, and Dwarves who populate it.
AOL latest headlines, entertainment, sports, articles for business, health and world news.
The poet's attitude—towards the wind has changed: in the first canto the wind has been an "enchanter" (3), now the wind has become an "incantation" (65). And there is another contrast between the two last cantos: in the fourth canto the poet had articulated himself in singular: "a leaf" (43, 53), "a cloud" (44, 53), "A wave" (45, 53) and "One ...