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The Gahcho Kué Diamond Mine is located on the Canadian tundra in the Northwest Territories. It is situated at Kennady Lake ( 63°26′04″N 109°11′10″W / 63.43444°N 109.18611°W / 63.43444; -109.18611 ( Kennady Lake ) ), in the Akaitcho Treaty 8 Territory [ 1 ] claim block, which is 85 km (53 mi) southeast of the Snap ...
Gahcho Kue Aerodrome (IATA: GHK, TC LID: CGK2) is an airport located 1.4 nautical miles (2.6 km; 1.6 mi) east southeast of the Gahcho Kue Diamond Mine Project, Northwest Territories, Canada. The airport is owned and operated by De Beers Canada and serves the Gahcho Kue Diamond Mine Project.
De Beers opened the Victor mine in Ontario, Canada, the same year, a day after Snap Lake. [69] This was followed by the opening of the company's third mine in Canada, Gahcho Kue, in September 2016. [70] Trading of rough diamonds takes place through two channels – De Beers Global Sightholder Sales [71] (GSS) and De Beers Auction Sales. [72]
De Beers has a huge sway on diamond prices as it’s still a significant player in the market. However, it has repeatedly cut diamond prices in the hopes of attracting more buyers, painting a ...
I–V–vi–IV chord progression in C: 4: ... Cadence (music) This page was last edited on 3 February 2025, at 04:45 (UTC). Text is available under the Creative ...
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...