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Leitmotif associated with Siegfried's horn call in Richard Wagner's 1876 opera, Siegfried. A leitmotif or Leitmotiv [1] (/ ˌ l aɪ t m oʊ ˈ t iː f /) is a "short, recurring musical phrase" [2] associated with a particular person, place, or idea.
For example, the 1965 film Thunderball features scenes of deep-sea diving and this is reflected in the associated opening sequence; [25] similarly the opening sequence for the 1964 film Goldfinger shows clips from Bond films projected onto the gold-painted silhouette of actress Margaret Nolan: the titles have been described by Bond scholars ...
A number of real-life inspirations have been suggested for James Bond, the fictional character created in 1953 by British author, journalist and former Naval Intelligence officer Ian Fleming (1908–1964); Bond appeared in twelve novels and nine short stories by Fleming, as well as a number of continuation novels and twenty-seven films, with seven actors playing the role of Bond.
Writing systems are used to record human language, and may be classified according to certain common features.. The usual name of the script is given first; the name of the languages in which the script is written follows (in brackets), particularly in the case where the language name differs from the script name.
The process of writing for soap operas and telenovelas is different from that used by prime time shows, due in part to the need to produce new episodes five days a week for several months. In one example cited by Jane Espenson, screenwriting is a "sort of three-tiered system": [9] a few top writers craft the overall story arcs. Mid-level ...
A through line is a connecting theme or plot used in media such as films and books. It is sometimes also called the 'spine', and was first suggested by Konstantin Stanislavski as a simplified way for actors to think about characterization.
The director said that blondes were "a symbol of the heroine." He also thought they photographed better in black and white, the predominant film for most dramas for many years. [11] Although there is a commonly held view that Hitchcock treated women poorly, there is little evidence of this beyond the examples given by Tippi Hedren in The Birds ...
The audience expects films to appear like real life, and be shot according to a certain style. Classical Hollywood narrative film styles and the conventions of other genres help to guide the audience in what to expect. [2] Some film makers use styles that challenge these conventions.